Why has Tecil Chemicals and Hydro Power Ltd. (506680) performed so strongly recently ✌️【Investment Strategy】✌️ Real-time stock indices and futures data to help you seize the best investment opportunities. Analyze market movements with precision and grow your portfolio with expert stock predictions. Why has Tecil Chemicals and Hydro Power Ltd. (506680) performed so strongly recently - Free Low-Risk Investment Plans ✌️【Investment Strategy】✌️ Free stock market analysis and data updates to help you select the best investment portfolio. Achieve steady growth and avoid losses with expert predictions and real-time market insights.
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During the aughts, the Italian fashion designer was a red carpet mainstay, dressing everyone from newly solo Beyoncé and “Dirrty”-era Christina Aguilera to Kate Moss and Jennifer Lopez in eye-catching, figure-hugging ensembles that epitomized the decade’s look-at-me excess. From the time he founded his eponymous brand in 1972 until his retirement in 2014, Cavalli delivered a panoply of tiger stripes, giraffe spots, butterfly wings, chiffon wisps, sequins, glitter, glitz and glam. His aesthetic was in the same over-the-top vein of Versace and Dolce & Gabbana, but it came with a smokier, sultrier air of indulgence.
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Puglisi took over as lead creative consultant in October 2020, after the house had gone a year without a designer at the helm (prior directors besides the namesake included Peter Dundas and Paul Surridge). At that point, Puglisi had long enjoyed popularity with his own self-named line, which, since 2010, had obtained global renown for its sporty-yet-extravagant Italianate aesthetic and celebrity following. (Nicki Minaj and M.I.A. wore Fausto Puglisi while performing with Madonna at the 2012 Super Bowl.)
Yet, where the Roberto Cavalli look of yesteryear was perpetually party-ready, dripping in nature motifs and often barely-there (see Victoria Beckham at the Swarovski Fashion Rocks gala in Monaco circa 2005), Puglisi is looking to steer the label toward more contemporary sensibilities. For his Spring-Summer 2022 collection, presented at Milan Fashion Week on Wednesday, this vision manifested via bejeweled Birkenstocks, and separates like leisurewear bodysuits, palazzo pants and hoodies, among the de facto Cavalli loudness – and loucheness.
“I think the concept before was that everybody had to be a goddess,” Puglisi said over Zoom from Milan a few days before his catwalk show. “For me, I’m less about the glamazon and more about a democratic approach to the wardrobe, while still keeping the brand’s spirit of fun.”
For the brand’s menswear line, he’s taking a similar approach, eschewing the old “Saint-Tropez playboy” aesthetic for something more relatable. “It’s not the moment of a playboy; it’s the moment of a much more inclusive and expansive dream,” he said.
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But Puglisi isn’t worried; in fact, he’s here for all of it. “I never imagined the requests we’re getting,” he said. “I have an enormous amount of gratitude for the people who are supporting not only me, but also the brand, and all of the high-profile individuals out there who are wearing it.”
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“Many people might not know this, but when Roberto was starting, he used to print and paint denim himself in Florence. He obviously went on to great success, yet it all started in a humble way,” Puglisi said. “I think the democratization I want to build (ties that all together)… You can have this glamour and this high-impact look, but it can still be rooted in something more universal. So, going ahead, I want to be the king of frocks, yes, but also the king of day-to-day jeans and tees.”
But don’t expect too much of a shift, though. With a smile, Puglisi promised: “I will never be a minimalist designer.”
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