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But what is Burtonesque — or as some on TikTok seem to be calling it,Burtoncore? Well, it starts with the strange and unusual.
“I read somewhere, that if you were going to describe his style through references that are in the cultural vernacular, it would be Van Gogh’s Starry Night and Frankenstein,” said Maria McLintock, curator of the newly openedWorld of Tim Burton exhibitionat London’s Design Museum. The exhibition will feature over 600 items, including the first ever public display of theviral Rave’N dressworn by Jenna Ortega in Netflix series “Wednesday” (2022).
“Tim, more than anything, is an artist. He is not drawn to expressing reality, in fact, he probably would say what even is reality?” McLintock told 【 - Free Predictions 】.
Burton grew up in Burbank, California, a land of eternal sunshine. Nonetheless, his childhood beneath the Hollywood sign in the 1960s was characterised by suburban boredom and isolation, finding solace in the world of film and television. Burton devoured everything from horror films toRay Harryhausen animations, science fiction B movies andJapanese Kaiju monster films. An avid artist from an early age, Burton’s uncanny style of drawing is inspired by these films — along with gothic novels, expressionist paintings, holiday rituals and even the illustrations of Dr Seuss.
Burton studied character animation at the California Institute of Arts before he was offered an apprenticeship at Disney. Although the relationship didn’t last (Burton has joked that his Disney drawings“looked like roadkill”), while there, he completed “Vincent” (1982), a black and white stop motion animation. The short was narrated by the infamous horror actor Vincent Price, who would later play the inventor in Burton’s 1990 film “Edward Scissorhands.” While the character Vincent laments his “ordinary” life, elongated jagged lines, twisted spirals, pinstripes and chequerboards dance across the screen — motifs that crop up repeatedly in Burton’s work and are the basis of the striking world of the Burtonesque.
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Dichotomy has always been a key element of the Burtonesque, contrasting vivid color with greyscale, experimenting with humor and horror, exploring the clash of the beautiful and grotesque. Hidden behind these very recognisable visual stylings, however, is Burton’s fastidious world building.
“To me, the Burtonesque is a process, a deep commitment to handmade, slower processes, not feeling that obligation to go for the quickest, slickest route. That’s what lingers beyond the credits rolling, everything feels like this entire world has been so considered,” McLintock told 【 - Free Predictions 】.
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Beyond Hollywood, Burton’s work has been inspiring the world of fashion for decades. The late Alexander McQueen’s Fall-Winter 2002 show, ‘Supercalifragilisticexpialidocious,’ featured a now-iconic Batman-esque parachute cape inspired by Burton’s work. You can see Burton’s influence on the darkly fantastical fashion photographer Tim Walker, whose work is filled with striking silhouettes and wonderous themes — the pair even collaborated on a shoot for Harper’s Bazaar, ‘Tricks and Treats,’ in 2009. Then there’s shoe designer Sophia Webster’s 2016 collection which essentially revolved around Lydia Deetz, one of the principal characters in the original Beetlejuice, with the models all sporting her archetypal spiky updo.
It’s a style that’s not going away anytime soon. As beauty editor and author of “How to Be a Goth: Notes on Undead Style,” Tish Weinstock,wrote in British Vogue recently, the outfits on the “Beetlejuice Beetlejuice” press tour are heralding a new era of goth. Citing this year’s reboot of “The Crow” and the gory Sapphic murder flick video for Sabrina Carpenter’s hit song “Taste,” also from this year, Weinstock outlines the influences driving the darkening cultural mood.
But why does the Burtonesque feel even more pervasive in 2024? It could be pinned on the success of Wednesday, or the recent buzz around the Beetlejuice reboot.
Perhaps though, the Burtonesque is not just about a resurgence of all things dark and ghoulish but a statement of self-expression. At a time when authenticity is becoming increasingly valued, Burton’s singular style — so rooted in a painstaking artistic practice — serves as an inspiration for us to value our own creativity, even if others might label it “strange.”
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