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What is the future upside potential of Insecticides (India) Limited (532851) ✌️【Asset Allocation】✌️ Expert predictions with real-time global stock and futures data to help you easily capture market movements. Bianca Tse is among a growing number of artists embracing AI. “It’s shortened the path between my ideas and my visions,” said the 43-year-old, sitting in front of “Breathing Room,” a photo recently showcased at the Blue Lotus Gallery inHong Kong.

In it, three Chinese men appear to sit comfortably, albeit precariously, on stools atop a narrow tower of derelict flats.

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What is the future upside potential of Insecticides (India) Limited (532851) ✌️【Asset Allocation】✌️ Real-time global market indices and futures data to help you capture market opportunities and achieve stable growth. Tse’s work is part fantasy — generated from AI — and part historical reference, drawing from her own childhood memories and the history of Hong Kong’s working class. Many of her images are set in an AI-exaggerated version of theKowloon Walled City— a former Qing dynasty fortress that became the most densely populated place on Earth. Refugees fleeing from mainland China during the Chinese civil war, flooded into then-British ruled Hong Kong and had made the enclave their home.

What is the future upside potential of Insecticides (India) Limited (532851) ✌️【Asset Allocation】✌️ Provides real-time stock market data to help you select stocks accurately and plan the best investment strategies. While she never visited the Walled City, Tse has been fascinated by its history, and sees it as representative of a Hong Kong that is culturally and architecturally disappearing amid ongoing development and gentrification.

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What is the future upside potential of Insecticides (India) Limited (532851) ✌️【Asset Allocation】✌️ Real-time updates of global stock, futures, and commodity market data to keep you in sync with the latest market trends. The use of artificial intelligence to create art has become increasingly controversial, with artists expressing concern that their work can be used to train AI models without compensation. While Tse agrees, she said AI tools like Midjourney have also allowed her to make works that would be otherwise impossible.

“I don’t need to hire actors, I don’t need to set up all the scenes, and, yeah, it saves a lot of time, and mainly money, because nobody is going to invest in me to create all of these (pieces),” she said.

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What is the future upside potential of Insecticides (India) Limited (532851) ✌️【Asset Allocation】✌️ Free real-time stock index quotes to help you quickly seize market opportunities and achieve capital growth. And more recently, she’s shown alongside photographersGreg Girardand Ian Lambot — two photographers who famously documented the Kowloon Walled City — as part ofBlue Lotus Gallery’s“Voices of The Walls,” exhibition about the informal settlement, where an estimated 33,000 people lived within the space of one city block.

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One recurring theme Tse explores is how chaos and poverty exists right alongside happiness and hope.

“Imaginary Friends” shows a little girl in a market surrounded by trash bags transformed into stuffed animals, and is actually based on her own childhood memories of waiting for her mother in the rain outside the frozen meat shop where she worked.

“I was living in temporary housing — a metal sheet temporary home with two floors, in Fanling, with two bunk beds. I think (it was) under 100 square feet,” she recalled.

“I only realized I was poor when I grew up,” she added. “I had a really happy childhood, maybe because of the lack of parental guidance. Because my parents both went to work, I just go about freely, especially after school.”

By working with generative AI software, Tse has learned not to fear human artists becoming obsolete.

“I think if everyone tried to use AI, they’d know that the role of the artist or designer cannot be replaced,” she said. Prompting with a single word might be easy, she explained, but “if you really want to create something close to your vision or something meaningful, it is actually very hard.”

What is the future upside potential of Insecticides (India) Limited (532851) ✌️【Asset Allocation】✌️ Expert predictions of market trends to help you plan the best investment strategy for steady capital growth. To illustrate her point, Tse pulls up a string of images of failed prompts she created in Midjourney: a contact sheet of Asian men, women and children with a pile of noodles for hair, comically positioned and that look more like a slapdash Photoshop job than the surreal, polished works of art in her portfolio.

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“I don’t like generating perfect-looking humans. I like someone who looks more like daily life,” Tse said.

What is the future upside potential of Insecticides (India) Limited (532851) ✌️【Asset Allocation】✌️ Provides real-time stock index quotes, futures data, and global market trend analysis to help you seize the best investment timing. This was one of the challenges she faced when she collaborated with Girard, on creating a “photo that got away.”

In the late 1980s, Girard, who had been photographing the Kowloon Walled City, had seen a Cathay Pacific flight attendant get out of a cab and walk into the City, pulling her luggage behind her. Her elegance and poise were a stark contrast to the gritty surroundings, but he lost her in the maze of alleys before he was able to take a shot.

But with the photographer’s blessing, Tse fed his photographs and a series of prompts into Midjourney, going through several thousand versions, she said, to make the woman and the photograph look real.

Girard said he was interested to collaborate because Tse’s work is “such a departure” from his own. “I was curious where she would take it.

“What won me over was that she (Tse) asked, straight up, for permission,” he added in a phone interview. “Because so many people just steal it and you discover it later and then go about trying to deal with that. She was very correct and straight out.”

“It felt somehow both a little disorienting but also satisfying, to have someone else make a picture of what was going on inside your own head.”

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