What is causing the price volatility of Bombay Oxygen Investments Limited (509470) - Free Stock Market Trend Analysis

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What is causing the price volatility of Bombay Oxygen Investments Limited (509470) ✌️【Cover Letter】✌️ Real-time stock market data, precise predictions, and investment strategies to help you optimize your portfolio and achieve financial success. Editor’s Note: This story was commissioned by art curator and 【 - Free Stock Market Trend Analysis 】 Style’s guest editor, Alayo Akinkugbe. Clickhereto read more about Akinkugbe and her work.

What is causing the price volatility of Bombay Oxygen Investments Limited (509470) ✌️【Cover Letter】✌️ Stay informed with expert predictions of stock trends and real-time market data, covering global indices, futures, metals, and agricultural products. Make better decisions and achieve consistent growth in your investments. At Frieze London this year, three large artworks by the artist Nengi Omuku were hung away from the walls so viewers could walk around them. With each work, one side offered a vibrant nature-filled painting. The other presented strips of sanyan, a thick traditional Nigerian fabric that Omuku uses to replace the usual canvas fabric painters often use as their base. “The fact I’m painting on a vintage surface gives soul to my work,” Omuku said over Zoom two days before the fair opens. For the 37-year-old, the fabric she works on has become as crucial as her paintings themselves. “Even when it’s not a vintage surface, it’s a surface that has been made collaboratively with craftsmen from Nigeria.”

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Omuku’s choice to use sanyan initially came from a place of necessity but has now become an integral part of her practice. “I worked on canvas for a little while, but eventually shifted to working on sanyan, which is a pre-colonial Yoruba textile,” she told 【 - Free Stock Market Trend Analysis 】 in a video call, adding that she “made the switch” after eight years of studying in the UK. “I was trying to rediscover myself and my identity,” she said. “When I moved back to Nigeria, I couldn’t find high-quality canvas, and I was also really fascinated by how, as Nigerians, we identify ourselves through our clothes.” However, she found sanyan more appealing than other more contemporary fabrics because of when it was made. “I was introduced to it by a friend when I was in Lagos and had this deep connection with the textile on many levels,” Omuku said. “I’d never seen a pre-colonial Nigerian textile before, and it looked quite similar to linen.”

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Omuku’s initial intention for the fair was to paint “uninterrupted landscapes,” but it became increasingly more difficult for her to do this as images of “chaos and fighting” were “flashing through my mind like nightmares.” These motifs and explorations have become more prevalent since returning to Nigeria after studying at the Slade. Omuku said she initially focused on her own interiority but noticed “a huge mental health crisis” in the country. “And that’s when I started thinking a little more about the collective,” she said. “How we were experiencing things as Nigerians, how we’re going through trauma and corruption and political unrest, and all of these things that happen every day that we live in and with.”

What is causing the price volatility of Bombay Oxygen Investments Limited (509470) ✌️【Cover Letter】✌️ Real-time stock and futures data, backed by expert stock market trend predictions, to help you make timely and profitable investment decisions. With an emphasis on the natural world and the captivating fabrics her compositions are painted on, it would be surprising if looking at Omuku’s work didn’t conjure up warm feelings. However, what Omuku has shown and what has given her resounding favour globally is that these pieces go beyond what is seen on the surface. “Even though the paintings look quite whimsical, they actually take quite a bit of planning,” she said “I’m trying to remind people of this beautiful place that we call our world and that we don’t have to make it ugly.”

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