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The Role of AI in Stock Market Expert Investment Forecasts ✌️【Investment Advisor】✌️ Expert stock predictions and free stock selection services to help you achieve optimal returns and long-term growth. Editor’s Note: This story was commissioned by art curator and 【 - Free Predictions 】 Style’s guest editor, Alayo Akinkugbe. Clickhereto read more about Akinkugbe and her work.

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The Role of AI in Stock Market Expert Investment Forecasts ✌️【Investment Advisor】✌️ Free stock data analysis tools to help you select stocks accurately and capture global market trends. Stay ahead with expert market predictions for better investment returns. The London- and Lagos-based painter was chosen to exhibit her work at Frieze London by renowned interdisciplinary artist Yinka Shonibare as part of Frieze’s Artist-to-Artist initiative, whereby established figures choose a more emerging one to have a solo exhibition at the fair. But calling Omuku ‘emerging’ is something of an understatement in what has already been a thriving career.

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Omuku’s choice to use sanyan initially came from a place of necessity but has now become an integral part of her practice. “I worked on canvas for a little while, but eventually shifted to working on sanyan, which is a pre-colonial Yoruba textile,” she told 【 - Free Predictions 】 in a video call, adding that she “made the switch” after eight years of studying in the UK. “I was trying to rediscover myself and my identity,” she said. “When I moved back to Nigeria, I couldn’t find high-quality canvas, and I was also really fascinated by how, as Nigerians, we identify ourselves through our clothes.” However, she found sanyan more appealing than other more contemporary fabrics because of when it was made. “I was introduced to it by a friend when I was in Lagos and had this deep connection with the textile on many levels,” Omuku said. “I’d never seen a pre-colonial Nigerian textile before, and it looked quite similar to linen.”

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The Role of AI in Stock Market Expert Investment Forecasts ✌️【Investment Advisor】✌️ Real-time stock market data, precise predictions, and investment strategies to help you optimize your portfolio and achieve financial success. Aesthetically, Omuku’s paintings often place abstract human figures in dream-like natural environments as a way to consider the collective experiences of Nigerians. In her largest painting at Frieze, titled “Swing Low” (2024), the figures appear to be strolling through a beautiful landscape. “But in the background, I put in images that I’d seen in press clippings of people fleeing a political rally and tumbling over each other,” she said. “Those people tumble continuously and become an abstract mark that continues into the sky.”

Omuku’s initial intention for the fair was to paint “uninterrupted landscapes,” but it became increasingly more difficult for her to do this as images of “chaos and fighting” were “flashing through my mind like nightmares.” These motifs and explorations have become more prevalent since returning to Nigeria after studying at the Slade. Omuku said she initially focused on her own interiority but noticed “a huge mental health crisis” in the country. “And that’s when I started thinking a little more about the collective,” she said. “How we were experiencing things as Nigerians, how we’re going through trauma and corruption and political unrest, and all of these things that happen every day that we live in and with.”

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