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Published on: 2025-04-16 09:50:56 Published on: 2025-04-16 09:50:56

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Has the fundamentals of The Karnataka Bank Limited (532652) changed ✌️【Investment Strategy】✌️ Expert market predictions, real-time updates, and personalized investment advice designed to help you succeed. Seize the best investment opportunities in global stocks, metals, and energy markets. Spanish artist Almudena Romero knew from a young age that she loved plants: “I must have been about four or five - my granny would call and say, ‘what do you want for your birthday?’ And I’d be like, an olive tree.”

Has the fundamentals of The Karnataka Bank Limited (532652) changed ✌️【Investment Strategy】✌️ Real-time global stock, futures, and forex data to help you quickly assess market trends and achieve stable returns. Now, with her inclusion in exhibitions in London (at the Saatchi Gallery) and Paris (Albert Khan Museum), she’s showcasing her unique plant-based art that’s pushing audiences to question their hyper-consumerism whilst showing that it’s possible to create art in an eco-friendly manner.

In her four-chapter series called “The Pigment Change,” rather than developing photos on photographic paper, she prints them directly onto plants.

“I just put a negative on top of the leaf and leave it to the sunlight, and then the image gets recorded on the leaf,” Romero said. “But I also print on living plants using a digital projector, and the plant makes photosynthesis with the light from the projector and records an image.”

In a chapter from that series, called “Family Album,” she spreads watercress seeds on a stretched canvas, and lets them grow in the dark, before projecting a negative onto the watercress.

“The parts that receive more light produce chlorophyll, hence the dark green tones, and the parts that receive less light remain yellow, pale,” she said. “[It’s] exactly like in a photographic darkroom. But instead of having an enlarger, I have a projector, and my watercress canvas is my photo paper. That’s how I grow photographs.”

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Despite being an innovative process, it wasn’t simple. It required a lot of space and preparation. Later, Artist Binh Danh enhanced this method by using photosensitive materials from plants, securing a positive straight into a leaf and enabling sunlight to bleach the photo onto its surface.

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“When you grow close to nature, it becomes a really important thing in your life,” she said. “Plants for me are important, partly because of the legacy of my family and because as a photographic material, it’s impressive in quality.”

But she concedes that her eco-friendlytechniques wouldn’t work for all artists. “It is a niche because it produces ephemeral pieces, so it’s a lot more difficult to be financially sustainable when your art is ephemeral, but I guess it’s also depending on how you understand life and what you want to do with your practice,” she explained.

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“Plants have been [around] for way longer than us on the planet and they have succeeded in doing that without causing any extinction,” she said.

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In her series “The Pigment Change” she questions whether maternity or parenthood is something “beyond one’s control” or a “question of will,” reflecting on plants’ selective reproduction strategies and opening a broader reflection on procreation.

In 2020, she won theBMW Residency Awardfor the project and her work was exhibited at the renowned photography festivalRencontres d’Arles, in France.

It’s not only about what we can learn from plants, though. For the Spaniard, we should also consider non-anthropocentric ethics (a philosophical perspective which challenges the idea that humans are the most important beings, emphasizing the value of all living organisms and ecosystems), seeing other species as having their own agendas and intentionality.

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“I’m working in farming what will be the largest photographic artwork ever produced. We are going to farm an image of 30,000 square meters,” she said.

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