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Her reign saw the proliferation of color photography, the commercialization of television and the pervasiveness of the internet. She was photographed, painted and graffitied. Struck on coins, cast in iron, silk-screened onto T-shirts and fired onto plates. There’s even aBarbie dollin her likeness.

【 - Free Wealth-Building Investment Strategies 】 explores some of the official and unofficial, classic and controversial images that turned Elizabeth II into the cultural icon she became.

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Each coin designer is invited to add their initials, and “IRB” is visible just below the portrait.

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Up until the 1970s there was an array of monarchs on UK coinage, but the decimalization of currency brought the UK in line with modernity. Out with the guineas and shillings, in with the pounds and pennies. From 1971 on, every coin produced has had the Queen’s likeness.

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“She will have appeared on more coins than any other monarch in history,” said Chris Barker, a historian at the Royal Mint.

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Updating the monarch’s portrait on UK coinage is a process that takes around a year, according to Barker, usually to “reflect the aging and changing of the monarch.”

Queen Elizabeth II had a profile update roughly every 16 years over her 70-year reign. The first portraits celebrate her youth, but artists throughout her tenure have had to capture the Queen’s likeness while being sensitive to her age.

Jody Clark standing by his design for the fifth definitive portrait of the Queen on UK coinage, in 2015.

Queen Elizabeth II arrives by carriage to the State Opening of Parliament in 2004. It is one of the occasions of her wearing the diamond diadem and pearl earrings that appear on Clark’s portrait.

Clark’s portrait was chosen from around eight other submissions by artists invited to take part in a closed competition judged by the Royal Mint Advisory Committee.

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“They're often given a fairly free rein … guidance-wise, it's pretty much 'Produce a portrait of the queen.' How they go about doing that is entirely up to them,” said Barker.

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Clark opted for a familiar diamond crown and paired it with pearl-drop earrings. Clark said he chose the regalia because he noticed the Queen wearing the same set regularly for the State Opening of Parliament.

“Coinage is very powerful, it says something about a society and a country from which it's from,” said Barker.

Queen Elizabeth II arrives by carriage to the State Opening of Parliament in 2004. It is one of the occasions of her wearing the diamond diadem and pearl earrings that appear on Clark’s portrait.

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Beaton had served as the official court photographer since 1937, so for three decades had recorded life events for the royal family, including the births of Elizabeth’s first two children, Prince Charles and Princess Anne.

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It was in the abbey not far from the palace where the Queen was crowned hours before, with Beaton as one of 8,251 guests, and millions more watching on television.

“On the one hand we are asked to be in awe of this enormous power and dignity and impressiveness, whilst also knowing that she's sitting on a stage with a fake backdrop,” said Rosie Broadley, senior curator of 20th century portraits at London’s National Portrait Gallery, which boasts 967 portraits of the Queen.

Beaton referenced historic royal portraiture to invoke the continuum of the dynasty. This nod toward stability was meaningful in a shattered, post-war Britain.

In 1969, Pietro Annigoni, whose Italian renaissance-style emulated old masters like Leonardo da Vinci, was commissioned to paint the Queen for a second time.

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"It has this kind of monumental power, and the fact that it doesn't have any background or obvious setting makes it quite timeless,” said Broadley.

“The late 60s and 70s were particularly difficult for the royal family. Society was changing rapidly, modernizing. The value systems were being turned on their heads. So her place as head of this society was being questioned increasingly,” added Broadley.

Britain was undergoing a cultural revolution and rejecting the status quo. In 1969, rock-and-roll icon John Lennon, of the Beatles, notably returned an honorary medal from the Queen as an act of protest. From music and fashion, to the end of state-mandated military service and even the widespread availability of the contraceptive pill, society was changing.

In an attempt to open up and connect to the public, the Queen in 1969 allowed cameras into her home to film a documentary series called “Royal Family.”

“They weren't sure whether or not it was a good idea because it would take away that mystique and aura, and make them seem more relatable. And it sort of did and didn't work,” said Broadley.

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For the first time, people got to see the Queen in ordinary domestic life. She was filmed doing everyday activities like working from her home office, driving to the local shop and eating lunch with her family (on a full set of china with floral table arrangements in a gilded drawing room).

“People were just absolutely gobsmacked by this,” said royal biographer Robert Hardman in a video call with 【 - Free Wealth-Building Investment Strategies 】.

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Its popularity secured a new image of the Queen in modern culture — without her wearing a crown and cape.

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“God Save the Queen” T-shirts from “Seditionaries” boutique, a clothing store previously known as “Sex.” It was run by fashion designer Vivienne Westwood and her partner Malcolm McLaren, who was also the manager of the Sex Pistols.

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Jamie Reid created this original artwork for the cover of “God Save the Queen,” featured here at Christies auction house. Reid and the manager of the Sex Pistols, Malcolm McLaren, had attended art school together.

“From 1977 when Sex Pistols got God Save the Queen to No. 1, there was genuine working class support of these 'anti' monarchy sentiments,” Reid said in a handwritten letter response to 【 - Free Wealth-Building Investment Strategies 】’s interview request for this story.

In the same letter, Reid also talks about the tension between “them 'the privileged' & us 'the underclass.’”

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Official portraits like this by Grugeon are “so devoid of personality that they become ripe for reinterpretation,” said Broadley, of London’s National Portrait Gallery. She continued, “It just becomes a cipher for all sorts of artists' imaginings.”

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“It's almost like he’s given her the stamp of approval somehow. He has embraced the Queen as part of 20th century celebrity,” Broadley said of Warhol.

Celebrity and fame was a strong theme that ran throughout his work and he became prolific at elevating already-famous people, like Hollywood star Marilyn Monroe, to symbolic status.

“There's a sort of a distancing effect with the planes of color. She's still a mystery. It plays into this idea of the royal mystique,” added Broadley.

For the Queen’s 60-year Diamond Jubilee in 2012, Warhol’s prints made it full circle. The Royal Collection, a trust held by the Queen, purchased four Queen Elizabeth II prints from the Royal Edition, an exclusive print run sprinkled with “diamond dust” — finely crushed glass making the artwork “sparkle.”

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David Rose/WPA Pool/Getty Images, Julian Herbert/ALLSPORT/Getty Images, Stefan Rousseau/AFP/Getty Images, Jerome Delay/AFP/Getty Images, Chris Jackson/WPA Pool/Getty Images

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Bright, block colors meant Queen Elizabeth II could be seen from afar by anyone trying to catch a mere glimpse. The hat kept her hair looking regal despite the wind and provided shade from the sun (or more likely drizzle, if it’s in the UK). Low-heeled pumps were selected for comfort, as were gloves.

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Of course — and only slightly disappointingly — these were actors. But as the real then 86-year-old Queen walked into the stadium to take her seat, straight-faced with only a fleeting, knowing smile, the crowd roared with applause.

For the opening ceremony of the London 2012 Olympic Games, the Queen and James Bond seemingly jump out of a helicopter and parachute into the Olympic stadium.

In her sunset years, the Queen was willing to let unconventional portraits reveal more of her as a person.

Lucian Freud was one of the most established figurative painters in Britain. His warts-and-all portraits of friends, family and himself were the result of months-long sittings at his studio.

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Lucian Freud’s portrait of the Queen on show as part of “The Queen: Portraits of a Monarch” exhibition at Windsor Castle.

On a tiny canvas, Freud made a tight crop of the Queen’s head that filled the entire space with thick, fleshy brush strokes.

Later he had the canvas extended to add a diamond crown, perhaps to make the Queen more “recognizable,” according to the Royal Collection Trust, but the overall effect of his work is still laid bare.

“It's quite shocking and surprising. People almost think it's intrusive, to show the Queen like that,” said Broadley, of London’s National Portrait Gallery.

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Former US President George W. Bush — also a keen painter — spoke about this portrait to biographer Hardman in his most recent book, “Queen of Our Times.”

“’Anyone who allows himself to be painted by Lucian Freud’, [Bush] said, ‘that, to me, speaks of a great deal of confidence. You've got to be a very confident person to open yourself up to that particular lens,’” Hardman recounted to 【 - Free Wealth-Building Investment Strategies 】 of the President’s anecdote.

In 2012, artist Chris Levine released a photograph of the Queen with her eyes shut, a serendipitous outtake from a sitting with the Queen eight years earlier.

“It operates at a different level … There's just something about the feeling of that image which touches people,” Levine told 【 - Free Wealth-Building Investment Strategies 】 on a video call from his studio in Hampshire, southern England.

Levine was commissioned by the island of Jersey along with holographer Rob Munday to do a portrait to mark 800 years of allegiance to the Crown. The official image selected was a black and white hologram of the Queen looking into the camera titled “Equanimity,” which went on display at the Jersey Heritage archive in 2004.

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“I was very conscious of Her Majesty's breathing, so as the camera took the time to do a pass, I was standing next to her with the shutter control and timing it, so that we would tune into her rhythm of breathing,” Levine added.

Like most of the artists commissioned to do a portrait of the Queen, Levine was able to style her clothes and choose her regalia. Prior to the sitting, he had a session with the Queen’s personal assistant and dresser.

“I got to go through the Crown Jewels. Some of them are really big and uber bling, and I wanted something really simple,” Levine recalled. Like the artist Freud and coin designer Clark, he opted for the diamond diadem, which the Queen often wears to the State Opening of Parliament.

“We got on really well, and she did ask questions about the process,” he said. At one point Levine’s assistant was explaining how they would scan the Queen, saying, “it's like having your passport photograph taken ma'am,” to which the Queen replied: “One doesn't have a passport.”

Queen Elizabeth II's reign coincided with the rise of mass media and ease of travel, which enabled her to visit more than 100 countries. She met 12 serving US Presidents and was the monarch for 15 UK Prime Ministers.

Hardman accompanied the Queen on a 2010 trip to the United Arab Emirates, when he says he noticed a 1979 picture of the Queen and founding father of the nation, Sheikh Zayed al Nahyan, on the cover of school history books.

”It would be a bit like George Washington turning up today. This figure from history.” Hardman said.

Broadley said: “Because of the length of her reign, it's allowed her to become the icon that has superseded the success or failure of her reign.”