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Large-scale installations are hung, oddly propped up against concrete columns, or planted onto the floor.

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Doryun Chong, chief curator forM+, Hong Kong’s museum for visual culture, recommends visitors to the fair zero in on what stands out to them: “It’s the most clichéd recommendation that is the most truthful.”

“Don’t put importance on mastering the whole space — you will quickly tire out. Focus on what catches your eye. Think about why it’s catching your eye and try to learn more about that artist.”

From Argentinean artistJulio Le Parc’s playful “Cloison a lames reflechissantes” – a set of stainless steel slats that distort objects caught between metal and its bright red, diamond-shaped woodwork – to South Korean artistXooang Choi’s deeply unsettling faceless sculptures, each of the pieces featured in the video both capture and inspire movement.

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Capping off the dance sees Wu set against a row ofthrobbing neon works by Portuguese artist Vhils, who is one of the many international artists that have adopted Hong Kong as a muse. His reason? “It’s a city that stimulates you a lot as an artist. Both visually and conceptually.”

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