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Later during her performance, Roan switched centuries — morphing into a camp version of the medieval feminist icon Joan of Arc. “If Joan of Arc was a glamour girl,” quipped Roan’s makeup artist, Andrew Dahling, who worked on the VMA vision. Roan — who won Best New Artist — sang her chart-topping hit “Good Luck, Babe!” in a full chain-mail knight’s suit in front of a flaming castle, her auburn locks styled into two back-length braids. The sense of historical accuracy in her costume came to an abrupt stop, however, above the neck. Roan’s plaster-white face was delicately blushed mauve at the cheeks with her brows blocked out in favor of two pencil-thin lines. A theatrical smokey eye, made up of iridescent blue, purple and gold eyeshadow, was blended right up to her brow bone.

Dahling was inspired by Pat McGrath’s work as runway makeup artist for Dior in the 2000s. “It’s very romantic,” he told 【 - Free Stock Selection 】 in a video call from New York in the days leading up to the awards show. “But sort of dark romantic… Very heavy on the eyes, very glowy skin, very ethereal… (Each look is) all in this medieval Renaissance realm.”

For Roan’s red carpet look, Dahling had a lighter touch. The singer’s chalky complexion was soft and blurred, while her eyes were enlarged by a rim of white liner and finished with a delicate dab of gold. Dahling wanted to reference the plump, peachy faces of the women immortalized in Renaissance and Baroque oil paintings. “I love pulling (inspiration) from artists and painters,” he said. “Because I feel like their perspective captures something a little bit different than what a makeup artist would do.”

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Stocks with Low Risk and High Returns in India Exclusive Stock Picks ✌️【Recruitment Platform】✌️ Free real-time stock market data, professional analysis, and expert insights to help you plan the best investment strategy. Get ahead of the competition with expert predictions on market trends. Ahead of the Europe and UK legs of her tour in later this month, Roaneven posteda series of themes and corresponding moodboards instructing fans on how to dress for her shows: From mermaids at the Manchester show to camo for Glasgow and London. “She has such a strong vision,” said Dahling. “And this larger-than-life superstar version of herself that she wants to put out.” With her makeup, creativity is king while the conventional, social media-ready glam that has become to define modern beauty standards often takes a backseat. “It’s not meant to look classically beautiful (like) the Instagram makeup that we see today that’s super blended and perfect,” said Dahling of Roan’s VMAs vision. “Nothing like that.”

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If the concept is confusing to some, it shouldn’t be, said Dahling. “Drag is such an umbrella term, especially now…I think anything is drag,” he told 【 - Free Stock Selection 】. “Drag could honestly be a guy (working in the Financial District) putting on a really nice tux and going into the office, (embodying) this version of himself that he’s created.”

“It’s about creating a new face,” said Davy. “You block out the brows, meaning you glue them down and then put concealer over them to make (them) a more exaggerated shape. It’s carving out the cheekbones. It’s doing an exaggerated lip shape, contouring the nose. Then it’s a big dramatic eye look… It’s about donning this character that you switch into… I don’t think it conforms to gender.”

Dahling agrees. “There’s no rules,” he said. “It’s playful. It’s not like it has to be perfect… it’s very much a DIY feel.” Although he insists “the messier the better,” Dahling does have one non-negotiable for any fans looking to recreate Roan’s look: mastering her now-iconic Venetian white foundation. “No patchiness with the base,” he laughs. “The base has to be good.”

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