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Born in 1923, Negishi founded and ran a company that assembled car stereos for automobile manufacturers in northern Tokyo. A regular listener to a singalong radio show broadcast in Japan at the time, he hooked a spare tape deck up to a microphone and mixing circuit so he could hear himself singing over music.

“When I asked the factory engineer, he said, ‘It’s easy,’” Negishi recalled in an account published by the All-Japan Karaoke Industrialist Association, an industry body for Japan’s karaoke operators. “So, I attached a microphone input terminal to the car stereo and created something like the prototype of a jukebox.”

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“It works!” he told Alt, recalling the moment he heard his voice coming through the speakers alongside the music. “That’s all I was thinking. Most of all, it was fun. I knew right away I’d discovered something new.”

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“At that time, it was not customary to sing in stores, so it may have been inevitable that (the Sparko Boxes were) sold as background music,” reads Negishi’s entry on the All-Japan Karaoke Industrialist Association’s website. “Now that I think about it, it’s a bit of a shame.”

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Perhaps the best known of them is musician and businessman Daisuke Inoue, whose 8 Juke machine — invented in 1971, and also based on a car stereo — is credited with helping commercialize karaoke.

But Inoue, like Negishi, did not patent his invention, and electronics manufacturers soon began producing and marketing their own versions. By the 1980s, “karaoke boxes” (known elsewhere as KTVs) had swept Japan, with private rooms overtaking bars and restaurants as the main venues for Japan’s amateur singers.

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