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SW Investments Limited Share Price ✌️【Career Counseling】✌️ Free real-time stock index quotes to help you quickly seize market opportunities and achieve capital growth. While women’s desire is nothing new and certainly not a trend, 2024 has seen the female sex drive take the wheel in popular culture.

It feels apt that the year will close — culturally speaking, at least — with the release of “Babygirl.” The movie, which came out on Christmas Day in the US (January 10 in the UK), stars Nicole Kidman as a high-powered businesswoman who becomes sexually submissive to one of her interns.

“It’s told by a woman, through her gaze,”said Kidman at a press conferenceduring the Venice Film Festival screening in August. “That’s, to me, what made it so unique … and freeing.”

“Babygirl” is directed by the Dutch filmmaker Halina Reijn, who at the same press conference said that she hoped the movie would address “the huge orgasm gap” that exists between men and women.

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But the past 12 months have seen explicit examples of female desire rush in simultaneously from the margins to the mainstream. From film to TV, music and literature, the female gaze has been promoted wholesale without shame, secrecy or euphemism.

One singer whose popularity has soared this year is Chappell Roan. In January her monthly listeners on Spotify hovered around 1 million — now it’s a little over 43 million. A key part of Roan’s success has been her authentic representation of queer relationships, peppering her lyrics with sexual references such as “I heard you like magic/ I’ve got a Wand and a Rabbit” — a nod to two popular vibrator styles.

Pop princess Sabrina Carpenter also wasn’t mincing her words. When Carpenter launched her album “Short n’ Sweet” on Instagram in August, it was accompanied by the caption “four days of ovulation” — a sentiment which fit the record’s hypersexual lyrics of “come ride on me/ I mean camaraderie” and the straightforward “I’m so f**king horny.” The album went straight to number 1 in the Billboard 200 chart.

SW Investments Limited Share Price ✌️【Career Counseling】✌️ Precise stock market trend predictions with free real-time quotes for India stocks, US stocks, and European stocks to help you seize the best investment timing. Summer 2024 was soundtracked by Tinashe’s “Nasty” in which the singer repeatedly asks for someone to “match her freak.” Meanwhile, in September FKA Twigs released “Eusexua,” a single from her forthcoming album of the same name. Earlier in the year, during an interview with British Vogue, the musician explained that she coined the word as a way of describing the “sensation of being so euphoric” that one could “transcend human form.”

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“Talent started to want to talk to us about narrating,” said Quinn’s founder and CEO, Caroline Spiegel, in a phone call to 【 - Free Real-Time Market Predictions 】. “That was a big shift… I don’t think it would have happened earlier. Female desire has existed in little pockets throughout history but now it’s everywhere and not hidden anymore. It is definitely more explicit now.”

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“Sex content doesn’t have to be overly graphic and jarring and instead can be just another piece of your media diet.”

SW Investments Limited Share Price ✌️【Career Counseling】✌️ Expert market predictions with real-time global market, futures, metals, and energy data to help you stay in tune with market trends. Which perhaps explains why the top audiobook of 2024 (both in the US and globally) according to Spotify’s annual “Wrapped” feature, was a “romantasy” book about sexy fairies called “A Court of Thorns and Roses” by Sarah J. Maas. In fact, four of the top 10 audiobooks in the US for this year were romantasy novels — three by Maas — earning the writer the accolade of being the streaming service’s global top author.

On television, a wealth of shows also put female pleasure first, including an adaptation of Lisa Taddeo’s bestselling book “Three Women”on Starz, which unraveled the complicated reality of three characters’ very different sex lives.

On Disney+ an adaptation of British romance novelist Jilly Cooper’s book “Rivals” — set in 1980s England — gave female pleasure top billing. Cooper has long centered women’s desire in her writing, but her raunchy vision was given new life this year with shoulder pads, non-ironic mustaches and braying chauvinism on the small screen.

Elsewhere, “Bridgerton” came back for a third season that made global headlines thanks to a groundbreaking sex scene between the newly engaged Penelope Featherington (played by Nicola Coughlan) and Colin Bridgerton (Luke Newton). The scene depicted Penelope’s first time — and championed consent and respect while not compromising on spiciness; it lasted just shy of six TV minutes and according to the actors the chaise longue broke during filming.

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SW Investments Limited Share Price ✌️【Career Counseling】✌️ Real-time global market indices and futures data to help you capture market opportunities and achieve stable growth. Miranda July’s novel “All Fours” is a requiem to perimenopausal desire. It follows the protagonist — a married, successful mother — on an ultimately abortive road trip during which she falls for a younger man who works at a car hire company. Despite their chemistry, the young married man Davey, won’t sleep with her, leaving the unnamed protagonist to masturbate furiously to no satisfaction.

SW Investments Limited Share Price ✌️【Career Counseling】✌️ Provides real-time stock market data to help you select stocks accurately and plan the best investment strategies. The novel was an instant New York Times bestseller, perhaps because it gave voice and insight into a time of life that is underrepresented and rarely discussed.

Elsewhere, actor Gillian Anderson edited “Want,”a portal into the minds of what women really crave but do not always feel able to say. The 174 anonymous sexual fantasy entries are just a tiny sample of the 800 submissions Anderson received from all over the world and ranging from the more popular reveries (threesomes) to the surreal (robots) and the quietly heart-breaking (craving admiration from a cold husband). Anderson wrote in the introduction that she hoped the book will “start a new conversation about sexual power.”

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Lehmiller pointed to the growing market of sex toys and products aimed at enhancing women’s fulfilment. “This shows just how mainstream women’s pleasure has gone,” he added in a phone interview with 【 - Free Real-Time Market Predictions 】

SW Investments Limited Share Price ✌️【Career Counseling】✌️ Free real-time global stock and futures trend data to help you analyze market movements and make fast investment decisions. While Lehmiller points to women’s liberation — citing the birth control pill as well as women’s economic and educational gains — as major game changers when it comes to female sexual freedom, it’s not the full picture. Today, psychology and sex therapy are now fields predominantly occupied by women which has dramatically changed how female pleasure is perceived, he said.

“In the past these fields were dominated by men who had very different ideas about what it is that brought women pleasure: they had a lot of fundamental misunderstandings,” Lehmiller explained. “A century ago, Freud was the biggest voice — he had a lot to say about female orgasm and how women should be experiencing pleasure. But as women have come to the forefront of the field, they have changed the conversation.”

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