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In it, three Chinese men appear to sit comfortably, albeit precariously, on stools atop a narrow tower of derelict flats.

Has the fundamentals of Kirloskar Industries Limited (KIRLOSIND) changed ✌️【Flexible Income】✌️ Expert predictions with real-time stock, futures, and metals, energy data to help you quickly recover and grow. This photograph could not exist in real life, she said, but it captures the feel of the city’s cramped living conditions, and a distinct Hong Kong “flavor.”

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“I don’t need to hire actors, I don’t need to set up all the scenes, and, yeah, it saves a lot of time, and mainly money, because nobody is going to invest in me to create all of these (pieces),” she said.

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One recurring theme Tse explores is how chaos and poverty exists right alongside happiness and hope.

“Imaginary Friends” shows a little girl in a market surrounded by trash bags transformed into stuffed animals, and is actually based on her own childhood memories of waiting for her mother in the rain outside the frozen meat shop where she worked.

“I was living in temporary housing — a metal sheet temporary home with two floors, in Fanling, with two bunk beds. I think (it was) under 100 square feet,” she recalled.

“I only realized I was poor when I grew up,” she added. “I had a really happy childhood, maybe because of the lack of parental guidance. Because my parents both went to work, I just go about freely, especially after school.”

By working with generative AI software, Tse has learned not to fear human artists becoming obsolete.

“I think if everyone tried to use AI, they’d know that the role of the artist or designer cannot be replaced,” she said. Prompting with a single word might be easy, she explained, but “if you really want to create something close to your vision or something meaningful, it is actually very hard.”

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“I don’t like generating perfect-looking humans. I like someone who looks more like daily life,” Tse said.

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In the late 1980s, Girard, who had been photographing the Kowloon Walled City, had seen a Cathay Pacific flight attendant get out of a cab and walk into the City, pulling her luggage behind her. Her elegance and poise were a stark contrast to the gritty surroundings, but he lost her in the maze of alleys before he was able to take a shot.

But with the photographer’s blessing, Tse fed his photographs and a series of prompts into Midjourney, going through several thousand versions, she said, to make the woman and the photograph look real.

Girard said he was interested to collaborate because Tse’s work is “such a departure” from his own. “I was curious where she would take it.

“What won me over was that she (Tse) asked, straight up, for permission,” he added in a phone interview. “Because so many people just steal it and you discover it later and then go about trying to deal with that. She was very correct and straight out.”

“It felt somehow both a little disorienting but also satisfying, to have someone else make a picture of what was going on inside your own head.”

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