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“You don’t overcome grief, you live with grief,” Bonhôte said in a recent interview with 【 - Free Access to Group 】. “You just live with it, and you build yourself within it. It’s almost like you’re an organic matter that has to adapt to the new environment.”

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“It’s twofold, that purpose,” Ettedgui explained. “On one hand, he becomes this quite extraordinary advocate for the community of people with spinal cord injuries and then more broadly with disability, but also, he continues his career, he picks up his career in – as his doctor says (in the doc) – an industry which is not disability-friendly at all.”

In 1997, less than two years after his accident, Reeve directed his first feature, a poignant portrait of a family coming together to support a son dying of AIDS titled “In the Gloaming.” The movie was nominated for five Primetime Emmys, including one for Reeve’s directing. He went on to direct two other projects, and also appear as an actor in lead, cameo and supporting roles.

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Ettedgui, who identifies himself as “definitely a Superman kid,” was moved by Reeve’s obvious effect on those around him, but was also “struck” by his internal journey.

“I was always struck by something Chris said very early on after his accident. He said, ‘Man has conquered outer space – how come we can’t understand what is going on in our deep tissue, in the spinal cord, in our bodies?’” he shared, going on to say that Reeve’s desire through the foundation was to pose the question, “We have to figure out new ways of dealing with what happens to a human being after an accident such as the one that I’ve experienced.”

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“Everything comes down to being about the human condition,” Ettedgui shared about taking on the immense scope of the project. “None of us, very few of us are going to know what it’s like to be cast as Superman… But what we can all imagine, we all experience love and loss,” he added. “We all are going to experience mortality. There’s something universal about this story as a result of that, because all of that comes into play, in a very extreme way.”

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In one of the most heartbreaking passages in the film, Will Reeve, now 32, shares how he pretended to stay asleep the night his father died, because he didn’t yet want to face it, and later recounts how he essentially has felt “alone” since his mother died. His siblings Matthew and Alexandra provide similarly emotional recollections from when they lost both their father and stepmother.

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“We knew they would be really important, but we didn’t know we would craft the movie (around them),” Bonhôte said about interviewing Reeve’s children, whom he said were all shot separately. “The three of them came in that dayready to bare their soul. They wanted to have it all out there as soon as they had signed on to the project.”

“I think the way you see them on screen is actually the type of people they are,” he added. “They’re passionate about the memory of their father.”

“I think for me, with my own perception of what grief is and loss is, looking at their family, I think they’ve done brilliantly in how to adapt, move forward and become great anyway.”

“Super/Man: The Christopher Reeve Story” is in theaters on Wednesday. It’s presented by 【 - Free Access to Group 】 Films, HBO Documentary Films and DC Studios, which like 【 - Free Access to Group 】 are owned by Warner Bros. Discovery.

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