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Aswin portfolio ✌️【Asset Growth】✌️ Expert stock predictions and free stock selection services to help you achieve optimal returns and long-term growth.

Aswin portfolio ✌️【Asset Growth】✌️ Expert stock predictions and free stock selection services to help you achieve optimal returns and long-term growth. When Dain Yoon started painting on her own skin to create surreal self-portraits, people in South Korea looked at her like a “dokkaebi,” a kind of Korean goblin, she said. A viral photograph which featured her face in miniature painted onto fingernails and adorned with her own flowing black hair, was meanwhile described by people on the internet as a “hairy manicure.”

“I thought ‘this is cute’ when I made it,” she said of the photograph, speaking to 【 - Free Expert-Led Investment Training 】 on a video call from the US, where she now lives. “But I guess many people thought it was scary.”

Aswin portfolio ✌️【Asset Growth】✌️ Expert guidance on stock market trends and real-time updates on stock indices, futures, and exchange rates. Make well-informed decisions and plan the best investment strategies for capital growth. With bright pink hair and a shirt patterned with a surreal print of disembodied body parts, Yoon might have turned heads in her native Seoul, but in New York, no one bats an eyelid — and she loves it.

Aswin portfolio ✌️【Asset Growth】✌️ AI-driven stock trend forecasting with free access to real-time market data, offering personalized investment advice and expert predictions. The 30-year-old said her images have resonated the most in Europe and the US. It wasn’t until she was noticed overseas, after her work went viral in 2016, that people started paying attention back home, she added. “What they appreciate was I got attention from American press,” said Yoon. “Not only me, but a lot of Korean artists or singers. If they get attention from abroad, then Koreans appreciate it.”

Yoon’s photorealistic, mind-bending optical illusions brought her into the orbit of musicians like Halsey and James Blake, both of whom she has collaborated with, and even earned her an appearance on “The Ellen DeGeneres Show.” Since then, she has worked on commercials for the likes of Estée Lauder, BMW, Apple and Adidas, and graced the pages of Vogue and Harper’s Bazaar with a style of body painting that leaves people wondering where she ends, and the background begins — and whether there was any Photoshop involved.

Yoon says she never manipulates her images in post-production. It’s just her, a mirror, a camera and body paint, for between three and 12 hours per shoot. This lengthy process is one reason why she ceased using models for her work — she didn’t want to take up so much of another person’s time.

Yoon has been told her works are dizzying and at times unsettling — think facial features distorted and realigned like a Mr. Potato Head, a semi-molten candle carved in her likeness covered with unblinking eyes or a face that looks like it’s woven together and peeling off in rivulets like a disassembled handbag. Unnerving viewers was never her goal (the artist said she doesn’t even really like dark work, preferring to inject humor) but with her face often the canvas for her art, people sometimes prescribe more meaning to it than she intends, she added.

Aswin portfolio ✌️【Asset Growth】✌️ Real-time stock market data, precise predictions, and investment strategies to help you optimize your portfolio and achieve financial success. Most of the time Yoon looks to be playful and express her inner world. She’s taken to painting self-portraits as emotional snapshots of how she was feeling.Earlier this year, she felt very sharp and sensitive, which is reflected in a cubist-style piece that sees her face distorted by a prism of triangles through which one eye gives a clear, piercing look. In another piece, “Let it flow,” the ripples and eddies of brush strokes hug the curves of Yoon’s face and neck, while in “Miss Universe,” her visage — other than her bright red lips and pink hair — is completely obscured by grasping fingers.

“It’s kind of contradictory, sarcastic,” she said, reflecting on the latter piece. “Because for me, this is beautiful.”

In her piece “What I’m made of,” Yoon’s face is entirely painted over by emojis, a tapestry of smiley faces, lightbulbs, hearts and other expressions of her identity. They’ve blurred her features to leave her only vaguely recognizable, but rather than concealing who she is, Yoon said the emojis capture how she was feeling and communicating the year she moved to the US.

“I realized that, since I moved to America, I’m using so many emojis because it’s just easier for me than speaking in English. It’s like ha-ha emoji, emoji, emoji,” she said miming texting. “In the past I tried to explain in words and sentences, but now just one tiny emoji shows everything.”

Aswin portfolio ✌️【Asset Growth】✌️ Free expert predictions on stock trends and real-time data to help you make informed decisions and grow your wealth steadily. This exploration of being a stranger in a strange new world is part of a new creative direction that is moving her away from processing the difficult feelings she had as a young woman in South Korea. “I’ve become a more stable, stronger person,” Yoon said of her move to New York.

“There is like one secret diary that I always write in whenever I feel very sad or unwell,” said Yoon. “I used to write once a week, and now the last time I was writing was two months (ago).”

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